We are in the last week of our fiscal year. We are still having rehearsals and performances right down to the end. Last Friday and Saturday the 101 Dalmatians Kids camp put on a performance of their show. With only 8 rehearsals the cast did a great job of bringing the 30 minute musical to life. Saturday's performance was also a benefit for the Project Hope No Kill Animal Shelter. Audience members brought in large bags of dog food, cat food, and cleaning supplies. In addition they made financial donations of $140 for the shelter. Some of the pets that were up for adoption were brought to the studio theatre and after the show both cast and audience members visited the real animals.
Sunday afternoon the Story Theatre cast of Little Red Riding Hood rehearsed in the main theatre in preparation for 6 performances this week at the McCracken County Library Tuesday and Wednesday with performances each day at 10 am, 1 pm, and 3 pm.
This Friday, July 1, the ballet class will be putting on their performance of Sleeping Beauty in the studio theatre for parents. That performance marks the first one of our next season.
Staff members are already taking some vacation days this week as we try to get recharged for another season. In addition we are doing some major maintenance on some of the buildings the theatre owns. With all the rain we have lots of water damage from this past spring that needs repair. We recently just completed tuck pointing the studio theatre and the administrative office building parapets along with the base of the back wall behind the studio theatre. Water had eroded the bricks over the past few years and was starting to do structural damage. We turn now to repairing the roofs on the three buildings. After those are repaired we can then repair the damage to ceilings and walls inside the buildings. MHT budgets over $15,000 a year to maintain the buildings. While we don't own the main Market House building the theatre is responsible for all the maintenance inside our portion of the building and on all the heating and cooling units. All of the buildings are on the national historic register. They need constant care and repair.
One week from the end or our current fiscal year it is looking very positive that we will end the fiscal year in the black for the second consecutive year, even with a down economy. The theatre continues to grow its programming and increase the number of participants we serve. The board of directors has done a great job of fundraising and the Curtain Call committee led by Valerie Pollard did an outstanding job of raising funds. Additional income from the Walking Ghost Tours and big box office shows with great performances from the casts of Alice in Wonderland and Annie boosted single ticket income above budgeted goals. In addition the theatre staff has worked extremely hard to keep costs low and work with small budgets. Those extra funds will help cover the cost of some of the repairs that I mentioned above.
As we say goodbye to our 47th season we are well into planning and evaluating programming and operations well beyond our 48th season. We completed an organizational assessment in January of 2011 and hope to begin the second phase of a facility assessment this summer. This assessment will look at existing facilities and evaluate support and market demand for possible expansion of those existing facilities.
Monday, June 27, 2011
Saturday, June 4, 2011
June 4, 2011
As we headed into the final push for the season everything that didn't fit within the 7 day, 14 hour a day work schedule got put in the to do stack. Unfortunately one of those things was my blog. I looked back today and realized it had been 3 weeks since my last blog. My apologies to those who read this blog. I'll try to do better in the future.
ANNIE. Wow! We have over 50 talented people working on this production. Chanyng Floyd as Annie has been a real joy to work with. This is her first show as an actress after lots of time in front of audiences as a dancer with the AMPA dance company. Chanyng like so many others has a lot of innate talent with singing and acting that she had never used before. Her mom told me just last night that before the show she didn't know Chanyng could sing. During the rehearsals musical director Doug Arnold has worked with her to develop those natural talents and I think audiences will be very impressed by her musical ability. In addition Chanyng has to play a tough optimistic kid who boldly searches for her parents and yet has vulnerable moments when she finds out the truth about why they left her. It is a credit to Chanyng that she is able to pull off the optimistic tough kid who threatens the older bigger kids with "do you want to sleep with your teeth inside or outside of your mouth" while retaining the vulnerability of an 11 year old alone who desperately wants to have a mom and dad in the song MAYBE.
Amy Perdue who plays Grace (Warbuck's personal secretary) in the show along with Landon Baker who plays Officer Ward and Drake (Warbuck's head butler) also do an outstanding job in what I think are difficult roles. Both have to be prim and proper and also exude a real sense of comedy and emotional connection to Annie that is not easy to pull off. Tom Dolan as Warbucks gives us a terrific portrayal of the loud commanding billionaire tycoon whose heart melts after spending time with Annie. It's easy to play that role as 2 dimensional always yelling, but takes a lot more talent and work to give us the feeling Daddy Warbucks character that Annie turns to as a father. Kelly Ann Rathunde as Miss Hannigan gives us a wacky version of the head of the orphanage and one of the chief villains. Between menacing the kids and being ditzy, Kelly, pulls off the role with lots of fun. Kelly along with Scott Salchli as Rooster and Mary Dorr as Lily provide a nice blend of comedy and their rendition of the song EASY STREET is really fun. Dorr in particular has a wonderful comic laugh that audiences loved.
I can't say enough about Katy Miller and Analiese Jones. They choreographed the big dance numbers HARD KNOCK LIFE, EASY STREET, I THINK I'M GONNA LIKE IT HERE, NYC, YOUR NEVER FULLY DRESSED (orphan's dance), and ANYTHING BUT YOU. Many of the adult actors at first thought they would never be able to dance some of the complex choreography. But after working really hard they pull them off and make them look effortless. There is so much going on with the choreography in layers on the stage that you almost have to see it twice to watch all the wonderful dance moments that happen. Analiese also deserves a huge pat on the back for the way she has shepherded the orphans in their performances. Taking the notes I've given the orphan actors and working with them while they are offstage constantly improving their performance and keeping them focused (which is no small task!)
The chorus of the show is filled with company members who play so many roles. If you look closely in the Hooverville scene and the big dance number NYC you will see almost the entire company disguised and costumed as people on the street of New York. It's fun to see Chuck Wilkins, who plays a homeless guy, rant about former president Herbert Hoover and later on see him as the President FDR in the wheelchair. Roy Hensel, Scott Salchli, Mary Dorr, Diane Byrd and Chip Bohle all play three to four different roles in the show. The chorus of homeless people, pedestrians in New York, and servants and radio performers make this show sparkle and so much fun to watch.
Denise Bristol keeps everybody on task in her role as stage manager calling light sound and technical cues for the show and Jim Keeney keeps the scene changes flowing with 3 stage crew and the help of the actors. Musical Director, Doug Arnold, has done a terrific job of bringing together a talented orchestra and getting a great vocal sound from the performers on stage. Sally Moore of Lodi Kennels tells me that Ashes, the yellow lab, who plays Sandy runs to the door and barks when it is time to go to the show because she is so excited. Sally does an outstanding job with training and is so easy to work with. I can't say enough good things about her abilities and I think she is just as good as any of the dog trainers I've seen on television on Animal plantet.
Finally the ten girls who play the orphans completely knock the audiences socks off! From the youngest Addie Beth Franklin to the oldest Leiren Jackson they have worked so hard and do such a great job in the show. The youngest Addie Beth, who plays Molly, holds her own with all the others in the choreography and singing and steals the show in some scenes.
WC Fields used to say never work with animals or kids because they always steal the show. Fortunately there are lots of talented adults in ANNIE who are able to hold their own against those odds although the kids and the animals really do give them a run for their money. I wouldn't hesitate to work with this talented bunch again.
Monday night while the actors are taking some well deserved time off will be the first rehearsal of the Curtain Call performance cameo cast. They will get to step on stage for the first time and learn where to walk and a little bit of the choreography for their big night on the final Saturday night performance of ANNIE June 18.
This has been a very successful season and the production of ANNIE wraps up the year with a beautiful red bow to top it off. I hope that everyone gets a chance to come see it.
ANNIE. Wow! We have over 50 talented people working on this production. Chanyng Floyd as Annie has been a real joy to work with. This is her first show as an actress after lots of time in front of audiences as a dancer with the AMPA dance company. Chanyng like so many others has a lot of innate talent with singing and acting that she had never used before. Her mom told me just last night that before the show she didn't know Chanyng could sing. During the rehearsals musical director Doug Arnold has worked with her to develop those natural talents and I think audiences will be very impressed by her musical ability. In addition Chanyng has to play a tough optimistic kid who boldly searches for her parents and yet has vulnerable moments when she finds out the truth about why they left her. It is a credit to Chanyng that she is able to pull off the optimistic tough kid who threatens the older bigger kids with "do you want to sleep with your teeth inside or outside of your mouth" while retaining the vulnerability of an 11 year old alone who desperately wants to have a mom and dad in the song MAYBE.
Amy Perdue who plays Grace (Warbuck's personal secretary) in the show along with Landon Baker who plays Officer Ward and Drake (Warbuck's head butler) also do an outstanding job in what I think are difficult roles. Both have to be prim and proper and also exude a real sense of comedy and emotional connection to Annie that is not easy to pull off. Tom Dolan as Warbucks gives us a terrific portrayal of the loud commanding billionaire tycoon whose heart melts after spending time with Annie. It's easy to play that role as 2 dimensional always yelling, but takes a lot more talent and work to give us the feeling Daddy Warbucks character that Annie turns to as a father. Kelly Ann Rathunde as Miss Hannigan gives us a wacky version of the head of the orphanage and one of the chief villains. Between menacing the kids and being ditzy, Kelly, pulls off the role with lots of fun. Kelly along with Scott Salchli as Rooster and Mary Dorr as Lily provide a nice blend of comedy and their rendition of the song EASY STREET is really fun. Dorr in particular has a wonderful comic laugh that audiences loved.
I can't say enough about Katy Miller and Analiese Jones. They choreographed the big dance numbers HARD KNOCK LIFE, EASY STREET, I THINK I'M GONNA LIKE IT HERE, NYC, YOUR NEVER FULLY DRESSED (orphan's dance), and ANYTHING BUT YOU. Many of the adult actors at first thought they would never be able to dance some of the complex choreography. But after working really hard they pull them off and make them look effortless. There is so much going on with the choreography in layers on the stage that you almost have to see it twice to watch all the wonderful dance moments that happen. Analiese also deserves a huge pat on the back for the way she has shepherded the orphans in their performances. Taking the notes I've given the orphan actors and working with them while they are offstage constantly improving their performance and keeping them focused (which is no small task!)
The chorus of the show is filled with company members who play so many roles. If you look closely in the Hooverville scene and the big dance number NYC you will see almost the entire company disguised and costumed as people on the street of New York. It's fun to see Chuck Wilkins, who plays a homeless guy, rant about former president Herbert Hoover and later on see him as the President FDR in the wheelchair. Roy Hensel, Scott Salchli, Mary Dorr, Diane Byrd and Chip Bohle all play three to four different roles in the show. The chorus of homeless people, pedestrians in New York, and servants and radio performers make this show sparkle and so much fun to watch.
Denise Bristol keeps everybody on task in her role as stage manager calling light sound and technical cues for the show and Jim Keeney keeps the scene changes flowing with 3 stage crew and the help of the actors. Musical Director, Doug Arnold, has done a terrific job of bringing together a talented orchestra and getting a great vocal sound from the performers on stage. Sally Moore of Lodi Kennels tells me that Ashes, the yellow lab, who plays Sandy runs to the door and barks when it is time to go to the show because she is so excited. Sally does an outstanding job with training and is so easy to work with. I can't say enough good things about her abilities and I think she is just as good as any of the dog trainers I've seen on television on Animal plantet.
Finally the ten girls who play the orphans completely knock the audiences socks off! From the youngest Addie Beth Franklin to the oldest Leiren Jackson they have worked so hard and do such a great job in the show. The youngest Addie Beth, who plays Molly, holds her own with all the others in the choreography and singing and steals the show in some scenes.
WC Fields used to say never work with animals or kids because they always steal the show. Fortunately there are lots of talented adults in ANNIE who are able to hold their own against those odds although the kids and the animals really do give them a run for their money. I wouldn't hesitate to work with this talented bunch again.
Monday night while the actors are taking some well deserved time off will be the first rehearsal of the Curtain Call performance cameo cast. They will get to step on stage for the first time and learn where to walk and a little bit of the choreography for their big night on the final Saturday night performance of ANNIE June 18.
This has been a very successful season and the production of ANNIE wraps up the year with a beautiful red bow to top it off. I hope that everyone gets a chance to come see it.
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