(***After I wrote this Tuesday, I found out that our website provider has been experiencing some technical problems they hope to have resolved later today and will get us changed over hopefully by the end of the day Wednesday.)
As I write this I'm using a new blogging software and the theatre will hopefully unveil our redesigned website today. I hope that you like our new website format. While it is easier to update and change it has taken me a while to learn the ins and outs of a new software program. As a result I'm behind in my blogs about the show and what's going on at the theatre. We hope that the new home page format will allow smart phone users and computer internet users an easier way to interact with our site.
I Love You You're Perfect Now Change is about to enter its third and final week of performances. It has been a wonderful run so far with lots of great moments. Audience response has been overwhelmingly positive. During the first weekend we had a very special treat for audiences on Friday evening Sept. 3! I had been contacted by Russ Whalen about using the theatre for a short time so that he could propose to his girlfriend. Russ was driving in from Louisville and meeting his girlfriend Emily Kaler in Paducah. I suggested instead that he come to the performance of I LOVE YOU, YOU'RE PERFECT and at intermission "pop" the question. The production of I LOVE YOU, YOU'RE PERFECT, has had more people propose during performances than any other. He agreed and on the night of the performance I went up to do the raffle drawing and then said "We have decided to pick someone at random out of the audience to do or drawing tonight! I then walked back down the aisle to his seat and pointed at Russ and said we had chosen him. He stood up and then turned to Emily and said "before I do that I would like to do something else" He pulled out a diamond ring and asked her to marry him.
The second weekend our audience response was overwhelmingly positive again and we settled in for a great weekend of performances. On Saturday evening during the "car" scene Melanie Koch's chair got a flat (lost a wheel) as she was spinning around in circles and she had to literally drag the chair back to the center to finish the song. She did it with such style that I couldn't tell what had happened. On Sunday Towneley Williams called me to tell me she had lost her voice. I called all of the actors in 30 minutes early and Towneley tried to sing her part. I made a decision to have the other actresses fill in for her in her solo scenes. Melanie did "A Stud and a Babe", Audra did "He Called Me" and because of the difficulty with the staging and the lyrics, Towneley acted the role in "The Marriage Tango" while Victoria Parrish stood offstage and sang while Towneley lip-sinked the song. The entire cast all did a great job of covering and we are all keeping our fingers crossed that Towneley has fully recovered for the final week of the show. It is one thing to be familiar with the show and to step in to do someone's role. It is a whole other level to step in with 30 minutes notice to learn the music and do the movement in front of an audience and do it from memory. Fowler emailed me Monday morning to tell me that his voice was gone and that he was headed to the doctor for some help before we start back up again Thursday night. I've got my fingers crossed we have a healthy cast on Thursday.
I knew that when the Play Selection Committee selected I LOVE YOU, YOU'RE PERFECT, NOW CHANGE that some in our audience would not like the play. It has a little bit stronger language and adult content than many of the plays that we have done in the last several years. I received a call this afternoon from a season ticket holder who did not like the show at all and wanted to express his feelings. I noticed a few people leave at intermission and I assumed that the play was not something they enjoyed. The gentleman who called me this afternoon was very polite and simply wanted to express his feelings. It is never easy to sit quietly and have someone tell you how unhappy they are with something you have done. I do appreciate that this ticket holder cared enough to call me to let me know that not everyone loved the show. Every audience member is important to us and we value their opinions. We are a community theatre and as such we try to make sure that the majority of our programming reflects the community values.
As the Artistic Director of the theatre it is my job to select and review all the plays that the theatre considers producing. I am the person who submitted this play to be considered by the play selection committee. It received rave reviews from other theatres around the country. I wanted to take a moment to share why I thought this was a show that MHT should produce. I LOVE YOU, YOU'RE PERFECT, NOW CHANGE contains a comic view of men and women and the biological and emotional rollercoaster that we ride on as we look for love and companionship in our lives. Two of the songs in the show are extremely poignant in the show. "I Will be Loved Tonight" and "Shouldn't I be Less in Love with You". Speak about the joy and the pain that relaitionships, or the lack of, bring to our lives. "The very first dating video of Rose Ritz" is an incredibly funny and moving story of a woman whose husband abandoned her and whose world collapses, yet she picks herself up and goes back out to find love again. "Funeral's are for Dating" lets us look at what it is like for two older people who have lost the love of their lives, their spouses to death, and they continue on with life because they still have so much to give. Very few plays can bring us to tears from laughter and tears from an honest moment in the story of relationships. The last song- "Keep coming Back" sums it all up. Those were the reasons that I submitted this play for reveiw even though I knew some of our season ticket holders would not like it.
The theatre's purpose is to enrich our lives with stories and entertainment. Our brand " We don't just entertain... We change lives" means more than just a slogan. If we wanted to just entertain we would never do anything that would upset or challenge our audiences. (I'm not sure it's possible to not upset anyone and still do something that has value.) Almost every play that has some "guts" to it will upset someone. Cinderella upset some audience members because they thought it had too much kissing in it. Wizard of Oz upset some audience members because it had magic and witches. Smoke on the Mountain upset some audience members because they said we were doing church plays and not secular plays. Any time we do a drama we upset someone because they feel we should only do comedies that make us forget about the problems of real life. If we do a children's show some adults don't want to see children acting, if we do an adult show some audience members want us to do shows that acceptable for children to watch. In the end the only thing I can do is to accept criticism from others in the spirit that they really do care about the theatre and feel that their thoughts and feelings matter to make MHT a better place.
Each play we put on someone comes up to me and tells me they love this play and it is the best show they've every seen and someone else will walk out at intermission (or before) and tell me how much they hated this play. Like the song at the end of I LOVE YOU YOU'RE PERFECT NOW CHANGE, we as a theatre company keep coming back. Back to deciding to produce another play, back to auditioning another cast, back to creating a play that we know someone will love and someone will hate.
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